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Vikram Bhatt doubts Adipurush's faithfulness to Ramayana, criticizes execution

  • Famous filmmaker Vikram Bhatt criticises Om Raut's Adipurush, questions whether it is a representation of the Ramayana
  • Bhatt admits to have not watched Adipurush but emphasises that such films should be about faith and worship rather than box office profits
  •  Bhatt recalls his grandfather's film, Ramrajya, 1943 amid criticism adding to the negative feedback of Adipurush

23 Jun 2023

Vikram Bhatt doubts Adipurush's faithfulness to Ramayana, criticizes execution

Renowned filmmaker Vikram Bhatt recently exprerssed his doubts regarding Om Raut's Adipurush, questioning whether it truly represents the epic Ramayana. He raised concerns about the portrayal of events and the potential reinterpretation of a story that has been passed down through generations.

Although Bhatt admitted to not have watched the movie, he emphasised that films like these should be more about belief, faith, and worship rather than being solely focused on entertainment and box office numbers.

Bhatt stated that he had seen clips of the film on social media and wants to clarify if at all it is sensible to present a modified interpretation of the events instead of capturing the essence of the Ramayana.

Moreover, Bhatt criticized various aspects of Adipurush that have garnered widespread condemnation. The film, which boasts a staggering budget of approximately ₹600 crore, has faced severe backlash for its use of colloquial dialogues, treatment of certain scenes, and visual effects. The audience's negative reception of these elements has further fueled discussions about the film's overall execution and adherence to the artistic and technical standards expected from such a high-profile production.

Reflecting on the significance of films based on religious and mythological tales, Bhatt drew attention to his grandfather Vijay Bhatt's 1943 film Ramrajya, the only movie ever watched by Mahatma Gandhi. According to Bhatt, the purpose of creating such films should transcend entertainment and commercial success. He asserted that they should primarily focus on belief, faith, and worship, comparing the act of making these films to the construction of temples in the past—a gesture of devotion and gratitude rather than a pursuit of profit.

As Adipurush continues to face scrutiny and negative feedback, criticisms raised by Bhatt and the broader public discourse surrounding Adipurush prompt a deeper examination of the responsibility filmmakers bear in adapting beloved stories and ensuring their faithful portrayal.

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